The Campaign has revealed and animated and organised an extended national interest in drawing. It has allowed people to draw, and to gather together to draw, in the same way that they gather together to sing. It has brought thousands of people into our galleries and museums. Many of these might not otherwise have come; and almost more importantly, the Campaign for Drawing has, noticeably, altered the relationship of these visitors with the institutions. They arrive with a purpose, their interest has a focus. This is a triumph of the best kind of accessibility…establishing the importance of drawing not only as a mode of self-expression but a tool in learning and in science and design.
Quentin Blake CBE












